Tuesday, September 27, 2022

Friday, September 23, 2022

Topsy-Turvy

Mike Leigh, 1999, 160 minutes

Big-hearted and entertaining.

Contempt

Jean-Luc Godard, 1963, 101 minutes

Faithful to, while stretching, the source novel by Moravia.

Monday, September 19, 2022

Sunday, September 18, 2022

Pickpocket

Robert Bresson, 1959, 75 minutes

Cool, intelligent, ultimately moving.

Saturday, September 17, 2022

Friday, September 16, 2022

The Crowd

King Vidor, 1928, 98 minutes

In a league with Sunrise and Greed, beautifully structured and shot.

Moonage Daydream

Brett Morgen, 2022, 140 minutes

Visually arresting and thematically repetitive.

Peppermint Frappé

Carlos Saura, 1967, 92 minutes

Artful depiction of obsession.

Thursday, September 15, 2022

The Man Who Fell to Earth

Nicolas Roeg, 1976, 138 minutes

Strange and thoughtful, with a perfectly cast Bowie.

Monday, September 12, 2022

City Lights

Charlie Chaplin, 1931, 87 minutes

Funny and poignant without an ounce of flab.

Sunday, September 11, 2022

A Kind of Loving

John Schlesinger, 1962, 112 minutes

There is a pinpoint of light in this visually and narratively bleak landscape.

Kimi

Steven Soderbergh, 2022, 89 minutes

Rear Window plus Blow Out plus Run Lola Run with a soupçon of Severance.

Saturday, September 10, 2022

Friday, September 9, 2022

Sunday, September 4, 2022

Fury

Fritz Lang, 1936, 92 minutes

Chilling indictment of the mass mind.

Thursday, September 1, 2022

What Price Hollywood?

George Cukor, 1932, 88 minutes

Brisk, sharp pre-telling of A Star Is Born.

Pain and Glory

Pedro Almodóvar, 2019, 114 minutes

A feast for the eyes with an emotional gut punch.

Camille Claudel 1915 ★★★

Bruno Dumont, 2013, 97m Dreary.