Nicholas Ray, 1958, 99 minutes
Sneakily lurid.
Jean-Luc Godard, 2010, 102 minutes
Repays disconnection from traditional viewing modes.
Jean-Luc Godard, 1963, 101 minutes
Faithful to, while stretching, the source novel by Moravia.
King Vidor, 1928, 98 minutes
In a league with Sunrise and Greed, beautifully structured and shot.
Nicolas Roeg, 1976, 138 minutes
Strange and thoughtful, with a perfectly cast Bowie.
John Schlesinger, 1962, 112 minutes
There is a pinpoint of light in this visually and narratively bleak landscape.
Steven Soderbergh, 2022, 89 minutes
Rear Window plus Blow Out plus Run Lola Run with a soupçon of Severance.
Judd Apatow and Michael Bonfiglio, 2022, 217 minutes
Thorough and thoughtful.
Bruno Dumont, 2013, 97m Dreary.