Walter Hill, 1975, 93 minutes
Solid debut.
Jonathan Jakubowicz, 2020, 120 minutes
Several scenes of effective suspense.
Kon Ichikawa, 1994, 132 minutes
Specialist interest only.
Ryusuke Hamaguchi, 2021, 179 minutes
Austere and affecting.
Stuart Samuels, 2005, 88 minutes
Requiem for a lost cultural world.
William Nicholson, 2019, 100 minutes
Sensitive, literate and probing.
Cristian Mungiu, 2016, 128 minutes
Engaging moral vortex.
Robert Altman, 1974, 123 minutes
The scenes with Carradine and Duvall are gold.
Robert Altman, 1979, 110 minutes
Erratic with a dynamite soundtrack.
Kyle Marvin, 2023, 98 minutes
Perfectly pleasant.
Stuart Burge, 1965, 165 minutes
Olivier's histrionics are irresistible.
Sergio Corbucci, 1966, 92 minutes
Peckinpah must have seen this.
Fred Zinnemann, 1964, 121 minutes
Elegant and morally complex.
Majid Majidi, 2005, 96 minutes
Intense and pure.
Stacy Keach, 1973, 70 minutes
Endlessly relevant.
Edward Berger, 2022, 147 minutes
Unrelenting.
Christophe Honoré, 2011, 133 minutes
Appealingly melancholic.
Pablo Trapero, 2010, 107 minutes
Compelling but with some flab.
Roman Polanski, 2013, 96 minutes
Diverting.
Bruno Dumont, 2013, 97m Dreary.