Menahem Golan, 1984, 106 minutes
Poorly lit snoozefest.
Antoneta Alamat Kusijanović, 2021, 92 minutes
Thin script.
Ernest Lehman, 1972, 101 minutes
Unjustly panned.
William Friedkin, 2011, 102 minutes
Rich dark brew.
Boris Ingster, 1940, 67 minutes
Strong dream sequence.
Martin McDonagh, 2022, 114 minutes
Melancholic, scenic and funny.
Jerzy Skolimowski, 1970, 91 minutes
Beautifully human and funny.
Todd Field, 2022, 158 minutes
Somebody wants everybody to know he's read some books.
Alejandro Jodorowsky, 1973, 114 minutes
Fevered and visually rich.
Mike Leigh, 2018, 154 minutes
Shattering.
Mike Leigh, 1984, 96 minutes
Gets at Belfast through genuinely funny characters.
Mike Leigh, 1976, 84 minutes
Dry wit.
Lodge Kerrigan, 2004, 100 minutes
Scorching perf from Damian Lewis.
Chris Hegedus and D.A. Pennebaker, 1993, 96 minutes
Seems almost innocent today.
Walter Hill, 1984, 93 minutes
Style, stunts, soundtrack.
James Morosini, 2022, 95 minutes
Flop.
Fernando Di Leo, 1974, 95 minutes
Gritty cop actioner.
Michelangelo Frammartino, 2021, 93 minutes
Quiet, meticulous, gorgeous.
Santiago Mitre, 2022, 140 minutes
Spielbergesque.
Carl Franklin, 1992, 105 minutes
Nothing special.
Audrey Diwan, 2021, 100 minutes
Honest and intense.
Mark Mylod, 2022, 106 minutes
Half-baked.
Daniel Kwan and Richard Scheinert, 2022, 140 minutes
DNF. Awful.
Michael Mann, 1986, 120 minutes
Less bloated than other Mann offerings.
William Friedkin, 1977, 121 minutes
Odd, intense, entertaining.
Babak Anvari, 2022, 110 minutes
Cookie-cutter.
Francesco Rosi, 1979, 220 minutes
Observant and sincere.
Hou Hsiao-hsien, 2007, 115 minutes
Quotidian and fantastic.
Sierra Pettengill and Pancho Velez, 2017, 74 minutes
Lifts the curtain on a clown.
Jon H. Else, 1980, 88 minutes
Heavy on practical trivia, light on morality.
George Clooney, 2021, 104 minutes
Never seen Affleck better.
Steven Soderbergh, 2013, 106 minutes
Twisty Rooney Mara mumble-fest.
Michael Keaton, 2023, 114m Solid crime thrills.