Emanuele Crialese, 2006, 120 minutes
Sensitive and moving.
Victor Fleming, 1932, 83 minutes
All Harlow.
Lina Wertmüller, 1975, 115 minutes
Hilarious and harrowing.
Akira Kurosawa, 1980, 180 minutes
Exquisite.
Ermanno Olmi, 1961, 93 minutes
Skillfully observed.
Jerzy Skolimowski, 2022, 88 minutes
Bursts the cramped limits of contemporary filmmaking.
James Gray, 2022, 115 minutes
Powerful and honest.
Mary Wharton, 2020, 95 minutes
Exploits an interesting niche.
Peter W. Kunhardt and Brian Oakes, 2015, 68 minutes
Family drama effectively wrapped into Lincolniana.
Akira Kurosawa, 1952, 143 minutes
Layers of meaning.
Fritz Lang, 1953, 90 minutes
Tougher than usual fare for this period.
Daniel Roher, 2022, 98 minutes
Arresting.
Shaunak Sen, 2022, 91 minutes
Affecting and visually imaginative.
Luchino Visconti, 1963, 185 minutes
An almost unbearable richness.
B.J. Novak, 2022, 107 minutes
Uneven fish-out-of-water.
Fritz Lang, 1944, 99 minutes
Tense and twisty.
Marie Amiguet and Vincent Munier, 2021, 92 minutes
Stupendous beauty and depth.
Fritz Lang, 1941, 105 minutes
Stylish and humane.
John Frankenheimer, 1977, 143 minutes
Good last hour.
Park Chan-wook, 2003, 120 minutes
Invigorating blend of genres.
Sergio Leone, 1968, 166 minutes
Operatic and epic.
Alejandro Jodorowsky, 1970, 124 minutes
Spectacle.
Michael Keaton, 2023, 114m Solid crime thrills.