Holger Harrivirta, 1954, 50 minutes
Unusually frank narration.
Leni Riefenstahl, 1938, 226 minutes
Monumental.
Walter Ruttmann, 1927, 65 minutes
A retrospective poignancy.
Robert Wise, 1951, 93 minutes
Effectively creepy.
Leo Gabriadze, 2014, 83 minutes
Well-executed concept.
William Wellman, 1931, 73 minutes
Daring.
John Frankenheimer, 1986, 111 minutes
Rock-solid brutal noir.
Greg Mottola, 1996, 87 minutes
Warm and big-hearted.
Christian Petzold, 2008, 90 minutes
Austere take on noir classic.
Sam Wood, 1940, 90 minutes
Wholesomely sentimental.
Mel Brooks, 1977, 94 minutes
Has paled.
Clint Eastwood, 1985, 116 minutes
Superbly scripted and photographed.
Hlynur Pálmason, 2022, 142 minutes
Gorgeous reticence.
Martin Scorsese, 1985, 97 minutes
Super Griffin Dunne perf.
Mike Newell, 1980, 101 minutes
Leaden.
Michael Radford, 1984, 110 minutes
Cold and faithful.
Carl Franklin, 1995, 102 minutes
Vibrant.
Victor Halperin, 1932, 67 minutes
DNF. Lethargic.
Jean Cocteau, 1950, 95 minutes
Strained.
George Roy Hill, 1977, 122 minutes
Death of a Salesman on ice, with laughs.
Rob Reiner, 2023, 88 minutes
Hagiography I can live with.
Michael Apted, 1979, 98 minutes
Sharp script and perfs.
Alexander Payne, 2023, 133 minutes
Pleasant.
John M. Stahl, 1932, 93 minutes
Sensitive Irene Dunne perf.
Tod Browning, 1935, 60 minutes
Some nice Browning touches.
Nicholas Ray, 1954, 110 minutes
Killer perfs from Crawford and McCambridge.
Fritz Lang, 1952, 89 minutes
Bizarre.
Wendell B. Harris Jr., 1989, 94 minutes
Original and disturbing.
Christian Petzold, 2014, 100 minutes
Fantastic payoff; annoying getting there.
Michael Keaton, 2023, 114m Solid crime thrills.